Construction of Moon

Bharat Kumar Jain seems to think along the lines of nature as Jung appropriately suggested, though he gave the geometry the lead to render the linear components to come to the foreground: but the background, the base on which he suggests the linear construction is Real Nature, in its various shades and shapes. Bharat in his long journey chased his own mind in tempo, his appropriation of self leads to questioning and exploring and in the process he risked his own self to be at the liminal juncture, where the self is poised achieving the desired change .The metaphorical nature of language has its limitations however the mind engaged continues to build up its conceptions and interpretations: interrelating forms with content, that is instrumental to the exposure of polesemus creative potential. His compositions are simply assemblage of asymmetry, symmetrical reflection, resonance, balance, colour planes with linear dimensions and beyond. Space here is conceptualized as mental representation, the unique mapping and visualization created equilibrium. 

In our psychic space past present and future converge giving it unidentified dimensions, unlike the visual landmarks which are the aural echoes of Soundmarks of the self. Bharat while trying to escape the landscapes of known landmarks successfully captured the Soundmarks of the self · Here in the merging-emerging forms transcend into some unknown visual imagery. Layers and alteration of space with transparent gaze creates mysterious language of inexplicable and levitating. The fulfilment of artistic ambition while balancing the psychic as well as the material needs of artist has been always measured with many variants. nonetheless preconditioned, creation whether it is abstract or not is in itself a complex individual process. Exploring abstraction in these days a real challenge, without reaching a trance like state it is not possible for an artist to create, express and establish a meaningful visual language.

Abstraction is Bharat with his new vocabulary tried explaining the various line and curve permutations that create numerous translucent light shimmering hues under similar tonal and textural values, just like the slight glimpses of stars under the veils of cloud, uncover themselves in momentary movements. The spiritual component create more vibration than the formal one, the delicate stripes, grids, curves, adjoining lines are intuitive and more of a reflection of the inner graph of the psyche of the artist: his sense of rhythm and search for fourth dimension is evident in his long journey in a brief period of time. The rhythmic fluctuations and punctuations in form and colour had its contextual references inside his being. Varied application of colour and texture, gradually end up creating numerous planes, giving infinite possibilities for degrees of abstraction.