The eldest clock

AS AN ARTIST I DO BELIVE MODES OF SUBJECTIVE AND FORMALISTIC REPRESENTATIONS. I HAVE PRESENTED MYSELF TO BE SENSITIVE AND METICULOUS IN DEVELOPING VARIOUS CONTEXTUAL INTERPRETATIONS OF SURROUNDING SPACE AND PERSONAL ITEMS OF LIFESTYLE THROUGH MY ART PRACTICE. I USUALLY TRY TO JUXTAPOSE SEVERAL EXPRESSIVE NUANCES OF RELATIONSHIPS. ANIMAL’S HABIT AND INDIRECT SOCIAL, POLITICAL IMPACT FROM MY DAILY LIFE , INTERLINKED AND SELECTED IMAGE, TO CREATE CERTAIN VISUALLY INTERACTIVE DIALOGUE ON THE PICTURE SPACE-WHICH CERTAINTLY RECREATE MUCH LIVELIER IMAGE OF A COMMUNICATIVE SELF. MY MODE OF DEVELOPING THESE INTERACTIVE PICTURE SPACE BECOMES MUCH INTERGUING WITH THE USES OF BOLD SELECTIVE REAILISTIC IMAGE ON A COLABORETIVE SPACE, WHICH IS CARRYING A PAINTED PART AND A SCULPTURAL PART BOTH. THIS METAPHORICALLY RELATES TO THE CORE CHARECTERISTICS OF THE MODERN AGE PRACTICES AND HUMAN BEHAVIOURS. ANIMAL HABIT RELATED OBJECET AND SOCIAL IMPACTS ARE THE ELEMENTS CREATING A DIALOGUE IN MY PRACTICE, IN ORDER TO REFLICECT SOCIETY AND EXPERIENCE ARE PART OF IT. THROUGH AN EXAMPLE I AM CHOOSING MY WORK OF ART-‘’ TRANSPORTATION OF COW ‘’. TRANSPORT IS A VERY COMMUNICATIVE LANGUAGE NOT ONLY SOCIAL PERSPECTIVE, IT IS VERY VELUABLE FOR ART PRACTICE ALSO. I WANT TO MAKE AS AN ARTIST A PLAYFULL INTERACTION WITH VIEWERS AND TO DO CONVERT THAT SPACE WHICH IS SHOW METHODOLOGY OF MAKINH PROCESS. I HAVE USED SOME WORDS AS IMAGE WHICH IS VERY VELUEABLE AND SENSITIVE PART FOR CONNECT TO SOCIETY AND MY BELIVE REPRESENTATION OF SOCIETY IS NARRATES TO VIEWERS.